Music production is everything from composing and arrangement to recording and mixing, including all technical and artistic aspects. I assist an artist in his process of making his work of art, sometimes just “mixing a paints and preparing a canvas” for an artist, and sometimes helping to see a bigger picture and make a complex product. I participate as a producer or co-producer, recording or mixing engineer.
Since I’ve been in all this music stuff for a pretty long time (working as a musician, composer, sound designer, location sound engineer, FOH engineer…), i know some shit about sound and music, old and modern techniques available to make it. Oh yeap — i have great mentors and read a lot of nice books, you can trust me. Long time sceptical Gearslutz member Tape-Op subscriber.
Complex, unusual, original or pure non-mainstream music is my specialisation, where different, wild/crazy or oldschool/forgotten techniques are in use to get that special music flavour and character. Originality is a key for great art.
I like to record music live, because music is all about playing live.
I like to record without iso-booths, because communication between artists (and listeners) is music itself.
I’m helping to make original sound and music that sounds unique, because uniqueness is art itself. No fast-food solutions here.
Ke Nako – 27 women
Spiraal Aurel – Possible Things (2018) – for Nullsonics take03 compilation
FMSAO – 8612 – Listopad (2018)
Asychronics – Winter 17 Sessions (2017)
Vestige Swell – Dirac Sea (2017) – for Nullsonics take02 compilation
Junkyard Storytellaz – The Dog (2017)
No Name Game – Self Titled (2013)
Air Canda – Air Canda (2014)
Chaplins Band – Autumn Leaves (by Joseph Kosma, Johnny Mercer)
Chaplins Band – Spanish (Chick Corea cover)